Archive for the ‘Chinese Musical Instruments’ Category

Gaohu

 
Gaohu, traditional Guangdong type, with dragon head, round body, no base, and played with the body held between the kneesThe gaohu (高胡; pinyin: gāohú; Cantonese: gou1 wu4; also called yuehu 粤胡) is a Chinese bowed string instrument developed from the erhu in the 1920s by the musician and composer Lü Wencheng (1898-1981) and used in Cantonese music and Cantonese opera. It belongs to the huqin family of instruments, together with the zhonghu, erhu, banhu, jinghu, and sihu, its name means “high pitched huqin”. It has two strings and its soundbox is covered on the front (playing) end with snakeskin (from a python).

duxianqin-Chinese Musical Instruments

The duxianqin (独弦琴, pinyin: dúxiánqín; lit. “lone string zither”) is a Chinese plucked string instrument with only one string. It is played using harmonics, with the string’s tension varied by the use of a flexible rod manipulated with the left hand.

qinqin-Chinese Musical Instruments

The qinqin (秦琴; pinyin: qínqín) is a plucked Chinese lute originally with a wooden body, a slender fretted neck, and three strings.photo 1photo 2 Its body can be either round,photo hexagonal (with rounded sides), or octagonal.photo Often only two strings were used, as in certain regional silk-and-bamboo ensembles.photo In its hexagonal form (with rounded sides) it is also referred to as meihuaqin (梅花琴, literally “plum blossom instrument”).

Yueqin-Chinese Musical Instruments

The yueqin (Chinese: 月琴, pinyin: yuèqín; also spelled yue qin, or yueh-ch’in; and also called moon guitar, moon-zither, gekkin, la ch’in, or laqin) is a traditional Chinese string instrument. It is a lute with a round, hollow wooden body which gives it the nickname moon guitar. It has a short fretted neck and four strings tuned in courses of two (each pair of strings is tuned to a single pitch), generally tuned to the interval of a perfect fifth. Occasionally, the body of the yueqin may be octagonal in shape.photo

Liuqin-Chinese Musical Instruments

The liuqin (柳琴; pinyin: liǔqín) is a four-stringed Chinese mandolin with a pear-shaped body. It is small in size, almost a miniature copy of another Chinese plucked instrument, the pipa. The range of its voice is much higher than the pipa, and it has its own special place in Chinese music, whether in orchestral music or in solo pieces. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the liuqin from an accompaniment instrument in folk Chinese opera, narrative music, i.e. Suzhou pingtan, in northern Jiangsu, southern Shandong and Anhui, to an instrument well-appreciated for its unique tonal and acoustic qualities. The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin. Like the ruan and unlike the pipa its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin, whereas the pipa is played with the fingers. Therefore, the liuqin is most commonly played and doubled by those with ruan and yueqin experience. Although, like the larger Chinese pipa, it may look like a lute, in fact, neither pipa nor liuqin have an actual neck, as the soundboard body spans the entire strings to the head of the instrument, making both liuqin and pipa actually handheld zithers[citation needed].

ruan-Chinese Musical Instruments

The ruan (阮, pinyin: ruǎn) is a Chinese plucked string instrument. It is a lute with a fretted neck, a circular body, and four strings. Its strings were formerly made of silk but since the 20th century they have been made of steel (flatwound for the lower strings). The modern ruan has 24 frets with 12 semitones on each string, which has greatly expanded its range from a previous 13 frets. The frets are commonly made of ivory. Or in recent times, metal mounted on wood. The metal frets produce a brighter tone as compared to the ivory frets. It is sometimes called ruanqin (阮琴), particularly in Taiwan.

Sanxian

The sanxian (Chinese: 三弦 (絃?), literally “three strings”) is a Chinese lute — a three-stringed fretless plucked musical instrument. It has a long fingerboard, and the body is traditionally made from snakeskin stretched over a rounded rectangular resonator. It is made in several sizes for different purposes and in the late 20th century a four-stringed version was also developed. The northern sanxian is generally larger, at about 122 cm in length, while southern versions of the instrument are usually about 95 cm in length.
A large northern Chinese sanxian (大三弦)The sanxian has a dry, somewhat percussive tone and loud volume similar to the banjo. The larger sizes have a range of three octaves. It is primarily used as an accompanying instrument, as well as in ensembles and orchestras of traditional Chinese instruments, though solo pieces and concertos also exist. The sanxian is used in nanguan and Jiangnan sizhu ensembles, as well as many other folk and classical ensembles.
A sanxianTraditionally the instrument is plucked with a thin, hard plectrum made from animal horn but today most players use a plastic plectrum (similar to a guitar pick) or, alternately, their fingernails. This use of fingers to pluck the instrument often shares technique with that of the pipa and is most commonly used in performance of sanxian arrangements of works traditionally written for the pipa. This allows for pipa techniques such as tremolo to be used. Other techniques for sanxian include the use of harmonics and hitting the skin of the instrument with the plectra or fingernail (comparable to the technique used to play the northern Japanese tsugaru-jamisen).
A closely related musical instrument is the Japanese shamisen, which is derived from the sanxian but which generally uses cat or dog skin rather than snakeskin to cover its resonator. Even more closely related is the Okinawan sanshin, which is also covered in snakeskin. Additionally, the sanshin and sanxian share a structurally similar body part consisting of a round-edged square of wood. In the Japanese shamisen, the body (sao) is made of four pieces of wood instead of one. The Vietnamese ?àn tam is also very similar to the sanxian.
In addition to its use in traditional and classical Chinese music, some popular and rock musicians have used the sanxian, most notably the singer He Yong.

Pipa

Pipa 

Konghou

Konghou

Se -Chinese classical instruments

Se