Archive for the ‘Chinese Musical Instruments’ Category
Suona
The suona (simplified Chinese: traditional Chinese pinyin: suǒnà); also called laba (Chinese pinyin: lǎbā) or haidi (Chinese pinyin: hǎidí) is a Han Chinese shawm (oboe). It has a distinctively loud and high-pitched sound, and is used frequently in Chinese traditional music ensembles, particularly those that perform outdoors. It is an important instrument in the folk music of northern China, particularly the provinces of Shandong and Henan, where it has long been used for festival and military purposes. It is still used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments, in wedding and funeral processions. Such wind and percussion ensembles are called chuida or guchui. Stephen Jones has written extensively on its use in ritual music of Shanxi province. It is also common in the ritual music of Southeast China. In Taiwan, it forms an essential element of ritual music that accompanies Daoist performances of both auspicious and inauspicious rites, i.e., those for both the living and the dead.
Construction
The suona has a conical wooden body, similar to that of the European oboe, but uses a tubular brass or copper bocal to which a small double reed is affixed, and possesses a detachable metal bell at its end.
yangqin
The trapezoidal yangqin (simplified Chinese: 扬琴; traditional Chinese: 揚琴; pinyin: yángqín) is a Chinese hammered dulcimer originally from Central Asia (Persia (modern-day Iran)). It used to be written with the characters 洋琴 (lit. “foreign zither”), but over time the first character changed to 揚 (also pronounced “yáng”), which means “acclaimed”. It is also spelled yang quin or yang ch’in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India and Pakistan. The instruments are also sometimes known by the names “santur” and “cymbalom”.
morin khuur
The morin khuur (Mongolian: морин хуур) is a traditional Mongolian bowed stringed instrument. The full Classical Mongolian name for the morin khuur is morin-u tolo?ai tai qu?ur (Which in modern Khalkh cyrillic is Морины толгойтой хуур) meaning fiddle with horse’s head. It is known in Chinese as matouqin (Chinese: 馬頭琴). It produces a sound which is poetically described as expansive and unrestrained, like a wild horse neighing, or like a breeze in the grasslands. It is the most important musical instrument of the Mongolian people, and is considered a symbol of the Mongolian nation.
Bianzhong
Bianzhong (simplified Chinese: 编钟; traditional Chinese: 編鐘; pinyin: biān zhōng) is an ancient Chinese musical instrument consisting of a set of bronze bells, played melodically. These sets of chime bells were used as polyphonic musical instruments and some of these bells have been dated at between 2000 to 3600 years old. They were hung in a wooden frame and struck with a mallet. Along with the stone chimes called bianqing, they were an important instrument in China’s ritual and court music going back to ancient times.
erxian
The erxian (二弦; pinyin: èrxián; literally “two string”) is a Chinese bowed string instrument in the huqin family of instruments. It has two strings and is used primarily in Cantonese music, most often in “hard string” chamber ensembles. In the 1920s, following the development of the gaohu, the erxian experienced a decline and since the late 20th century has been little used outside the tradition of Cantonese opera.
Jinghu-Chinese Musical Instruments
The jinghu (京胡; pinyin: jīnghú) is a Chinese bowed string instrument in the huqin family, used primarily in Beijing opera. It is the smallest and highest pitched instrument in the huqin family.
Construction
Like most of its relatives, the jinghu has two strings that are customarily tuned to the interval of a fifth which the hair of the non-detachable bow passes in between. The strings were formerly made of silk, but in modern times are increasingly made of steel or nylon. Unlike other huqin instruments (erhu, gaohu, zhonghu, etc.) it is made of bamboo. Its cylindrical soundbox is covered with snakeskin on the front (playing) end, which forms a taut drum on which the bridge rests, sandwiched between the drum and the strings, which are connected to a peg at the bottom of the soundbox.


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